Performance Work
Yes, We’re Ready, We’ll Split an Order of Fries for The Table--Does That Work for You?--Sure, One Check Is Fine
A table-top show about diners and the people inhabiting those space
Created by Mike Durkin and Nick Schwasman
Part of FringeArts Fest
September 9-17, 2022
Work-In-Progress, SoLow Festival June 24-25, 2022
Yes, we’re ready, we’ll split an order of fries for the table. Does that work for you? Sure, one check is fine. The clanking of the spoon against the ceramic mug, embossed with the diner’s logo. The flickering of the fluorescents in the kitchen. Berlin’s “Take My Breath Away” cuts through the shuffling of feet. Meetings, comings, goings, and reunions. Blue plate specials, no substitutions, and gratuity added on parties over 8 fill the menu. A table top show about diners and the people inhabiting those spaces. Artists, Mike Durkin and Nick Schwasman will lead audiences between 1-3 through a series of conversations, and performances, all while splitting an order of fries either at the Melrose Street Diner or Broad Street Diner in South Philadelphia.
S-P-O-R-T-S-P-L-A-Y: Aggieland
A hybrid social practice performance project comprising athletics, story-telling, theatre, installation, dance, and community building.
Created by Mike Durkin
Workshop, November 2021
Residency and Performance, April 2022
Multidisciplinary artist, Mike Durkin creates original performance works that celebrate, challenge, and deconstruct societal concerns of the moment. The performances blend multiple artistic mediums and are unique to the location created. Mike will be developing his new project: Sportsplay on campus at Texas A&M University.
Sports bring various peoples, communities, and cities together to cheer on their favorite team. Sports can also separate those very same groups and the nation itself in championship games. Sport is inherently combative: team vs. team, player vs. player. This versus mentality finds its way on and off the field. What do sports symbolize for our society? What can the gestures, moves, routines, and plays unlock in daily life? In a campus rich with sports history, fanaticism runs deep. But can a fanbase go too far, and where do we draw the line regarding celebration versus destruction? How can a sport impact a player, a fan, a neighborhood, a city? Mike, along with students, and departments will present a series of hybrid performance works focused on locating the intersection between community-building, dance, storytelling, and sports. Mike is looking for partnerships and cross-department collaborations.
Mike plans to facilitate workshops and scrimmages bringing together students and staff from different departments. We will be looking at art through an athletic lens and looking at athletics from an artistic lens. We will be sharing ideas and vocabulary between the different departments. The performances will be created with participants to explore our ability to find common ground through teamwork, competition, and spectatorship. The scrimmages will be a blend of community dialogue, sport, improv, and performance creation. This will culminate in a performative installation modeled after a tailgate. We will be working to understand the history of Football at A&M, aspirations for athletes, understanding race dynamics in and around College Station, TX.
What If We Gather...And Look Up At the Clouds While We Dance With Plants (2021-2022)
In Philadelphia (Spring ‘21)
Over Zoom with Pieter Performance Group (Summer ‘21)
In Asheville for the Asheville Fringe Festival (Winter ‘22)
A Performative Gathering
In-person and over Zoom
Created by Mike Durkin
The performance is an interactive collective gathering, meditation, and group dance held on the grounds of the Botanical Gardens and performed safely outside. Multidisciplinary artist, Mike Durkin will lead a series of prompts exploring public space, our initial impulses, shared impulses, as well as a guided meditation finding balance between the body, the natural environment, and technological worlds we occupy on a daily basis.
The goal of the performance is slowing down, focusing on stillness and the hyperactivity of the world around us. Finding harmony amongst the multiple worlds we make contact with on a daily basis- natural, digital, and personal. Everything is at play, the plants, the trees, the birds, the keyboard, the clouds. How does our body move within these constraints, how can we receive natural landscapes at the same level as a digital landscape. What shapes, structures, movements can be made while reflecting the various worlds around us. The movements will continue to be developed by viewing each other’s movements.
Primary Realities (2018)
A Lecture In Response to Bomb Cyclones, Geodesic Domes, Chaos Theory, and Global Expenditure After R. Buckminster Fuller
Developed through Pig Iron Theatre Company School, Residency at Drop Forge and Tool, and residency at PhillyCAM
Created And Performed by Mike Durkin, Sterling Melcher, and Nick Schwasman
Geodesic domes, Epcot center, synergy, triangles- Dr. Reginald Ulysses will unpack some of the principles associated with famous architect, theorist, urban designer- R. Buckminster Fuller through a live performance lecture. Dr. Ulysses will answer questions from the audience as well as callers about the bigger questions of life. How do we become a better species?
Recorded live at PhillyCAM, November 2, 2018
Cheesesteaks Cheesesteaks
Cheesesteaks Cheesesteaks
Cheesesteaks Cheesesteaks (2015)
Created and Directed by Mike Durkin
Performed at the Garage Bar (adjacent to Pat’s and Geno’s Cheesesteak Sandwiches)
June 2013
As Part of the SoLow Festival
Featuring Ama Bollinger, Amanda Damron, Chris Davis, Doug Greene, Alan Johnson McNutt, Rose Luardo, Kevin Rodden, and Steve Wright
South Philadelphia Eating World (SPEW) Presents:
The 37th Annual Cheesesteak Eating Whiz Off Jamboree
Man VS. Cheesesteak
So It Is Written And So It Shall Be Done
Held in the pulsating heart of Cheesesteak Vegas
Competitors: Boris Kirilenko, the Russian comrade; Glamron, the diva; Cousin Rose, the single; A.J., the rookie; Richie Santoro, the Cheez Whiz Kid; 5-time Defending Champion: Terry Amoroso.
Master of Ceremonies: Steve, the captain; Color Commentary: Doug Greene, the vegan
ABOUT AND INSPIRATIONS
“Whose end [is] destruction, whose God [is their] belly, and [whose] glory [is] in their shame, who mind earthly things.” -Philippians 3:19
Hot dog eating competitions, monster truck rallies, Faygo Red Pop, backyard wrestling, THESE COLORS DON’T RUN, Freedom Fries, Megamillions, snap into a Slim Jim, Dale Earnhardt, jean shorts, Busch Light, Staind.
On The Road For 17,527 Miles (2015)
GPS Directions Written by Gregor Weichbrodt using places traveled to from On The Road by Jack Kerouac
Conceived and Directed by Mike Durkin
Performed by Julius Ferraro, Scott Rodrigue, Sam Sherburne, and Dani Solomon
Music by Adam Vidiksis
Lighting Design by Eric Baker
Zine Creation by Daniel Kent
Dramaturgy by Erin Washburn
March 5-8, 2015
Third Floor Skinner Studio
Plays and Players, Philadelphia PA
On The Road for 17527 Miles by Gregor Weichbrodt is based on the novel “On the Road” by Jack Kerouac and Google Maps Direction Service. The exact and approximate spots Kerouac traveled and described are taken from the book and parsed by Google Direction Service API. The result is a huge direction instruction of 55 pages. The chapters match those of the original book. All in all, as Google shows, the journey takes 272.26 hours (for 17,527 miles).
On the Road for 17,727 Miles is a quest for meaning, a search for purpose: four incurably young adults--frustrated, aimless, adrift--decide to take to the road and follow the same route Sal Paradise travelled in Jack Kerouac's beat classic On the Road. But instead of using the novel as a guide, the philosophic cadre decides to find their purpose in the turn-by-turn directions of Paradise's journey. Rather than playing out a script, or even reading out Kerouac's words, 14th Street will explore the entirely human concepts of restlessness and identity solely through the mechanical intonations of GPS directions. On the Road for 17,727 Miles will transform the droning text of these GPS directions into dialogue and dances, monologues and meditation. With the scope of Kerouac's journey compressed into each turn and toll road, 14th Street asks whether the voyage to nirvana can be captured in the sum of its parts, and when the steps of traveling overwhelm the journey itself.
Inspired by Victor Hugo’s The Hunchback of Notre Dame
Produced by The Renegade Company
Conceived and Directed by Michael Durkin
Performed at First Presbyterian Church of Philadelphia Sanctuary
Movement by Mason Rosenthal in collaboration with the ensemble and Annie Wilson
Original Composition by Joo Won Park and Adam Vidiksis
Featuring Doug Greene, Dan Higbee, Shamus Hunter McCarty, Lee Minora, Eric Scotolati, Steve Wright, and Anna Zaida Szapiro.
“And lead us not into temptation, but deliver us from evil.” What happens when we let obsession pulsate through our veins? Are we capable of denouncing our beliefs for the sake of lust? Inspired by the silent films of the 1920’s and told through the deafened and disfigured perspective of Quasimodo, Renegade will transform Victor Hugo’s novel into a nightmarish expressionist landscape begging the question, what does it mean to be a monster?
Collaboration with Le Puppet Regime
For Hunchback we collaborated with puppet artist, Genevieve Geer of Le Puppet Regime. She provided puppets that were incorporated into a pre and post performance that told the story of The Hunchback of Notre Dame.
Reviews
The Hunchback of Notre Dame...A Mute Play (2014)
Bathtub Moby-Dick (2013)
From Herman Melville’s Moby-Dick, or The Whale
Conceived and Directed by Michael Durkin
Written by Mike Durkin and Ed Swidey
Featuring Ed Swidey
Performed at Wharton Heights, September 2013
Design by Daniel Kontz, and Robin Stamey
“For there is no folly of the beasts of the earth which is not infinitely outdone by the madness of men.” How do we cope with loss? What prevents us from escaping from life? Robert, recently divorced, loses his job and retreats to his bathtub. Disillusioned and overwhelmed by his troubles, he picks up Herman Melville’s novel and begins a journey. Set in a bathtub in a bathroom, I recreate Melville’s characters’ experiences aboard the ship.
For Bathtub Moby-Dick we connected with an unconventional community collaborator to create a sensory component to the show. We connected with The Medicine Womyn Mixology School to create cocktails inspired by sea travel and the novel. Our collaboration started with discussions about the correlation between a devout feminist organization and a very masculine novel such as Melville’s. We discussed the universal properties of our organizations as well as creating a cocktail that would bring an audience to the sea and memories associated with that. The way the audience participated in consumption was through a birthday party where they could have punch concocted by the performer. The Mixology school created the “punch”. We also held a curated tasting where the organization created two cocktails and walked an audience through the ingredients and their relationship to Moby-Dick.
Reviews
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http://phindie.com/1-2-bathtub-moby-dick-the-renegade-company-fringe-review/
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http://phindie.com/1-bathtub-moby-dick-the-renegade-company-fringe-review/
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http://www.phillymag.com/news/2013/09/07/fringearts-review-renegade-companys-bathtub-moby-dick/
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http://www.broadstreetreview.com/theater/renegades_bathtub_moby_dick_at_fringearts
